Review for dear zindagi movie professional#
She has moved on to seeking professional help. Jehangir Khan) about what causes her to resent her parents so much – an appropriate continuity of adult-like evolution in the Alia-verse. In Dear Zindagi, she confides, fittingly, to her psychiatrist (Shah Rukh Khan as Dr. Often punctuated by a single heartbreaking tear, these scenes are designed to humanize – and somewhat justify – her manic-pixie whimsicalness. In Kapoor & Sons, she confides in her new male friend about her parents’ death in a plane crash. In Highway, this occurs when she confides in her perplexed kidnapper about sexual abuse. The confession is a long, hypnotic, unbroken shot of her face, where, with a trembling voice, she pours her heart out to a virtual stranger about a scarring childhood incident. There are two breeds of Alia moments: the confession and the explosion. Dear Zindagi seesaws between these two scenarios. They are so powerful that either the film is immediately elevated, or the rest of it is devaluated. Verbose eruptions, forces of nature – singular all-consuming disintegrations so simultaneously disarming and disturbing that they sweep away everything in their path, including our momentary perceptions of the films she occupies. Jokes aside, “Alia moments” have become a trend of sorts. The young (to a fault), undoubtedly talented actress (Alia Bhatt) has been developing quite a penchant for lost-little-girl roles. What an adorably volatile couple they’d make. Khan, whose unforced ease is apparent when Jug gracefully resists a misguided romantic overture from Kaira.It was only a matter of time before Alia Bhatt, the ultimate poster child of cinematic meltdowns, found herself in therapy. The young (to a fault), undoubtedly talented actress has been developing quite a penchant for lost-little-girl roles. I’d imagine Ranbir Kapoor, everyone’s favourite coming-of-age man-child, would fit perfectly next to her on the sofa.
Review for dear zindagi movie movie#
This is a movie that drops quotations from Faulkner and Einstein, but it rarely feels pedantic or platitudinous, thanks to the breezy, assured delivery of Mr. Shinde with abundant opportunities to explore philosophical issues (“zindagi” means “life”), not least the value of forgiveness and the need people can have to create unnecessary obstacles for themselves. Complicating matters is a handsome musician, Rumi (Ali Zafar), who serenades her yet prefers silence when he’s not expounding on early Pink Floyd. Over multiple sessions, she consults him about her mixed emotions regarding Raghuvendra. Jug, a laid-back psychologist (a B.D., or brain doctor, as the movie puts it). Shooting a promotional video for a local businessman, she chances across Jehangir Khan (the Bollywood superstar Shah Rukh Khan), a.k.a. “Is that my only talent?” She passes on the job, but remains drawn to him.Įvicted by a landlord who distrusts unmarried renters, the workaholic Kaira retreats to her seaside hometown in Goa and her affluent parents, who fret over her lack of matrimonial prospects. “Hot?” she says when he praises her beauty. When Raghuvendra gets an exciting project in New York, he teases Kaira with the possibility of joining him on it - with the implicit understanding that it is contingent upon their continued sexual intimacy. Bored with her distracted boyfriend, Sid (Angad Bedi), a restaurateur, she has a fling with her colleague Raghuvendra (Kunal Kapoor). The restless, ambitious Kaira has a wandering eye of her own. The young cinematographer Kaira ( Alia Bhatt) suggests shooting another take, this time with the woman surreptitiously checking out a passing male bicyclist. A director calls cut, and we realize we are watching actors on a Mumbai movie set.
The issues in Gauri Shinde’s sharply observed drama “ Dear Zindagi” are suggested in its opening scene: A woman walks with her boyfriend, disgusted with his infidelity, while he pleads for forgiveness, professing his love.
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